11 | Boieldieu Francois Adrien

Boiëldieu, François Adrien 1775-1834

Boïeldieu schreef de opera's: 'The Caliph of Baghdad' 'La Dame Blanche'

Hij was dirigent van de 'Imperial Opera' in St. Petersburg van 1803 tot 1811.

François-Adrien Boieldieu (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart"

Born under the Ancien Régime in Rouen, Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (La fille coupable in 1793, followed by Rosalie et Mirza in 1795). They brought him immediate success.
During the Revolutionary period, Boieldieu left for Paris and wisely started work as a piano tuner. At this time, the Opéra-Comique was the only theatre to offer opportunities for the hybrid works of the same name, close to classic opera, but containing spoken dialogue. The most typical work of the genre was Luigi Cherubini's Médée (1797). Opéra-comique, traditionally performed at the Salle Favart, was also staged at the Théâtre de Monsieur from 1789. In 1791, the company set up home in a new theatre, the Théâtre Feydeau, previously reserved for the troupe of the opera buffa. Over the course of ten years, the Favart and the Feydeau companies were rivals, the Favart beefing up its repertoire of patriotic spectacles and presenting the lighter works of Étienne Méhul, the Feydeau offering the heroic dramas of Cherubini or Jean-François Le Sueur. In 1797, Boieldieu offered the Feydeau La famille suisse and L'heureuse nouvelle. In 1798, he presented the Favart with Zoraime et Zulmare, which brought him extraordinary success.

Het meest typische werk van het genre was Luigi Cherubini's Médée (1797). Opéra-comique, traditioneel uitgevoerd in de Salle Favart, werd vanaf 1789 ook opgevoerd in het Théâtre de Monsieur. In 1791 vestigde het gezelschap zich in een nieuw theater, het Théâtre Feydeau, dat voorheen was gereserveerd voor de groep van de opera buffa. In de loop van tien jaar waren de Favart- en Feydeau-gezelschappen rivalen, de Favart versterkte zijn repertoire van patriottische spektakels en presenteerde de lichtere werken van Étienne Méhul, de Feydeau met de heroïsche drama's van Cherubini of Jean-François Le Sueur. In 1797 bood Boieldieu de Feydeau La famille suisse en L'heureuse nouvelle aan. In 1798 presenteerde hij de Favart met Zoraime et Zulmare, wat hem buitengewoon succes bracht.